Improvijazzation Nation
Issue # 77 REVIEWS
FEATURED Zzaj Productions album samples -
New! New! New! Zzaj PODCAST!
We now have 3 TOTALLY FREE CD's (with free cover art) available for download at our NETLABEL site! The only thing we ask is that you scroll to the bottom of the page(s) & give us a REVIEW! Please ADVERTISE this to ALL your friends... tell them we are GIVING AWAY music!
Guideline for artists SUBMITTING to us: We do NOT generally review .mp3 files/sites. Being an active artist myself, though, I understand the need for the use of Internet sites as a "staging ground" for reviews! You are encouraged to email us your .mp3 links... we will visit the site/link, & if we like your energies, we will contact YOU! (We will NOT respond to followup inquiries about .mp3 files, though!!! p.s. If you EVER e-mail me .mp3 files, you will be BLACKLISTED on this site!!!)
NOTE: You can also purchase any of these CD's (use your credit card) by going to our HOMEMADEMUSIC catalog page!
Shelf Life:
Ductworks:
What a perfectly appropriate re-entry into the review biz... Bryan Day sent
this one, which was recorded in Omaha... Features Bryan, A. Boardman, J. Jaras &
J. Schleidt in the kinds of sets I used to participate when I first started
improvising (way back in the late 1970's... this outing has far more electronics
than were available when we were doing such jams, but listeners who crave after
music that strays from the "norm", & challenges the aural appendages will find
this quite pleasing. Lots of little "grinders" in/out/under/through the
guitar strums, percussive surprises & great sounds (that you'd never hear on a
"conventional" jam session) that make repeated listens a must... you'll discover
something you hadn't heard each time you listen. Is this "jazz"? -
decidedly NOT... is it interesting? Quite SO - but your mind (as well as
your ears) must be prepared for a taste of strange. This will serve as a
great intro for those uninitiated in the joys of discovery that fine improv can
inspire. I give it a HIGHLY RECOMMENDED, particularly if you are in for
some well-crafted sonic adventure. Check Bryan's site at
www.publiceyesore.com or e-mail him
at info@publiceyesore.com Rotcod Zzaj
Simon Ben-Shir
Group - WAYS:
This CD is pure joy to listen to, whether you're a hard-core jazz fan, or only
a casual passer-by. The brilliant splashes of color on the CD jacket give
you an indicator of the life contained in the music, but once you pop it in the
tray & begin spinning the title track (which opens the experience), you'll find
yourself fully engaged & enchanted. Ben-Shir's bass (and guitar) talents
are fully revealed on the second cut, "Jochebed"... it's a bit hard to describe,
as there are solid rhythmic foundations in the Middle East, but then John
Frazee's horn kicks in, & you feel like you're in th' middle of the Caribbean
somewhere. Itemizing each of the pieces would be like "giving the
secret away", and you wouldn't want that - it would be like telling the end of a
movie... and, that's what this beautiful musical experience reminds me of... a
well-crafted tale that invokes memories seated deep in your psyche, bringing
each of the emotions you experienced back in new ways. Absolutely stunning
jazz, nothing pretentious, & very enjoyable. I especially enjoyed the
highly energetic "Four Score", the "deepest" jazz cut on the album. I've
no doubt that listening to these folks in a live setting would make you come
away ready to overcome all the evil in the universe. I give it a MOST
HIGHLY RECOMMENDED! To check out more about the band, visit their site at
www.ben-shir.com or e-mail them to
sbenhir@hotmail.com You can also
get a lot more background on the band at
http://www.karionpresskits.com/shimonbenshir/shimonbenshir.html
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Carla Hassett -
QUERO SABER (I Want
To Know):
We first reviewed Carla in issue
# 71 - we were highly
impressed with her then, & surely are FAR more so on this outing... there is a
rhythmic sophistication to all 11 tracks that shows greater understanding of
what the soul in music is really all about than players who've been at
this for 50 years! My favorite cut on the album is "Over You", which mixes
together a sorta' "Latino rap" beat with sweet Brazilian guitar strum - then
when she moves in on your consciousness with her haunting vocalization, you'll
be truly transported... my only regret was that it was only 3:37, but I suspect
that's part of the mystique - you'll have this hook in yer' head for a LONG
time! She's recorded/played with some heavy folks... Billy Idol, Jon
Anderson (Yes), Sergio Mendez, & a list that goes on & on... as in my review in
the earlier issue, though, the highlight of folks she's played with (for me) was
Thomas Dolby - for the "new" sound, Dolby is a paragon, as far as I'm concerned,
& Ms. Hassett is clearly able to open new sonic channels in your mind & heart,
to be sure. Whether you're inclined to "hard" jazz, a little bit o'
"street" rhythm, or "down & deep" Latino soul, you'll find something you'll like
on "Quero Saber". I give this album a MOST HIGHLY RECOMMENDED, without a
moment's hesitation. Learn more about Carla via her site at
http://carlamusic.com ,
http://myspace.com/carlahassett,
or e-mail to carla@carlamusic.com
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Greg Chako -
PAINT A PICTURE, TELL A STORY:
Our first listen to Greg's wonderful guitar work is deeply satisfying, &
(without doubt) an excursion into the adventure that his music imparts... over
half the tracks are originals, and (as many who read this 'zine know), that
makes it an automatic winner for this reviewer. There is just
something about tunes penned by the artist that lets you know right where they
are coming from! My favorite original on this outing is "Murtabop" -
influences all the way from NYC to China & back (including some Indian food,
which is where the title comes from). This cut is like a trip 'round the
world in 6:32, & is relentless in the energy it conveys for getting ones'
fingers wrapped 'round LIFE... certainly brings out the theme of the title - I
can see those outdoor markets I used to cruise through in Thailand, or Korea,
very clearly when I listen to this sweet little tune. Another favorite is
track # 7, "What da' Funk"... some real (& legitimate) groovin' happening
here; when the rhythm doubles up, you'll be itchin' to get on yer' FEET,
peepz! True jazz aficionados will HAVE to have this one in their
collection - Greg is a master! I'm impressed enough to declare this one
the "PICK" of this issue for "best all-round jazz" - without qualification, it
is MOST HIGHLY RECOMMENDED! Get more information from Greg's site, at
www.gregchako.com or look at the promo
kit, HERE!
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Derrik Jordan
- SuperString Theory Goes to Senegal:
Our first review of Derrik's work was in issue
# 68... as those who
read that review will know, I was highly impressed with his total grasp of
"world music", but without the lack of energy that the genre title often
implies. & this outing is even more outstanding. His 5-string
electric violin is there (& you know it), but it's place in the mix is
very non-intrusive; the mix, in fact, is pure artistry, in & of itself. If
you listen to this CD at one sitting, you will realize (at least a little of)
the magic involved in creating music - especially music that forms bridges
between cultures. Featured players include: Derrik Jordan; Barou
Sall; Pape Sakho; Helen Kerlin-Smith; Tony Vacca; Erik Lawrence; Jo Sallins;
Steve Leicach; Sobobade Drummers... as you can see, a list far too long to
itemize each instrument. One of the most impressive players here (though
all were amazing) was the vocalist, Helen Kerlin-Smith... her vocals on "Aliwu
Mix" are not only enchanting, they display a soul at (total) ease with the
music... it was odd, too, because Derrik didn't actually meet her until he had
returned from Senegal to Vermont - talk about strange, eh? My
favorite track on the album is cut 4, "Jump 12", a Jordan composition - make you
have to get up & dance... pure joy all the way through this
one. In fact, if you don't register high on the joy-meter after
listening to the 11 tracks on "SuperString" - you'll never get over
whatever's ailing you. This automatically gets a MOST HIGHLY RECOMMENDED
from us, but it also gets the "PICK" of this issue for "most creative musical
expression"! View more information at
www.derrikjordan.com
- you can also purchase the album from there!
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The
Rick Ray Band - NOTHING TO LOSE:
Folks who have followed this 'zine since it started will know that we've been
reviewing Rick's high-powered progressive rock sounds (nearly) since the first
issue - "The Guitarsonist",
"Manipulated DNA" & "MANIACAL
DISASTROPHE TOUR" (by a grouping he called "Riot Act"), just to name a few.
Obviously, we know something about Mr. Ray's playing, & if we weren't enthralled
with his unique guitar signature, wouldn't have reviewed so many of his musical
excursions. Th' key element is always PUNCH... this is rock that just will
NOT QUIT! The other attractor (for our ears, anyway) is the jazz-filled
runs - in fact, reedist Rick Schultz may well have something to do with that...
his clarinet/sax(es) often contribute to extended riffing & explosive moments
that make Ray's music much, much more than "just another house rock
band". Track 4, "Blue Print For Ruin" is just such a cut... it's out
there, though certainly based on familiar patterns... this is my favorite
composition on this album, without doubt! Other red-hot players featured
include Sam "PJ" Glorioso (Drums), Jack Ambrose (bass) & Alex Abraham (lead
vocals). The other distinction that a Rick Ray CD has (on every one he's ever
sent me) is this - it STAYS in the CD player in the car... meaning I'm
constantly toolin' down th' road (this time, anyway) with "nothing to lose".
For listeners with a taste for music both exotic & exciting, this comes MOST
HIGHLY RECOMMENDED. Contact through th' site at
http://groups.msn.com/guitaristrickray or via e-mail to
hobbelshnimp@hotmail.com
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Jazmin
Sky - Jazmin Sky:
This CD is what this 'zine is all about... self-produced "raw energy"
with the utmost in high quality sonic experience for the listener.
Jazmin's musical writing style & vocals carry me back many, many years - back
when my whole life was lived in th' "funk zone"... rhythmically, folks/styles
like Curtis Mayfield & Larry Graham, Patti Labelle, Chaka Kahn, & (yes) even th'
Queen - Aretha come to mind as I sit here listening to "Downtown". Her
vocals are full-bodied, yet inviting, as she sings "U Turn Me On"... slow funk,
lotz' o' "stride & pop" bass... though she's from small-town PA (Johnstown)
originally, it's immediately apparent that she's wrapped herself in
sophistication, & caught a taste o' that soul - the only thing that can
make this kind of vocal music an adventure. I can tell you, if th' world
had a little more of such well-crafted, yet funk-i-fied, music to
listen to, many of the atrocities I've witnessed in my own globe-trotting would
vanish. Ms. Sky's music conveys "real", without coming across as
pretentious, or over-glammed. Strong elements of jazz on the .mp3 samples
I listened to made this an "instant invite", & am I ever glad I asked her for
the songs. Keep your ears on this young'un... she's going FAR!
Range, texture & (most importantly) spirit are the keywords for this
debut album. This gets a HIGHLY RECOMMENDED from these ol' Zzaj ears!
Get more information, or purchase the CD, on her site, at
http://www.jazminsky.com/
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Jarrett
Cherner Trio - BURGEONING:
Hmmmm... let's see, now... "rapidly escalating"... "growing"...
"mushrooming"... all 3 words serve very nicely to describe this all-original set
from pianist/composer Jarrett Cherner. In the sense of "rapidly
escalating", I feel myself quickly rising into a zone that I've always wanted
jazz to elevate me to... when it comes to "growing", Jarrett's compositions will
(very rapidly) grow on YOU (as they did on me). I mean, it's often hard to
discern a "hook" in a jazz tune, but track 2, "Shake The Cage", seemed to stick
in my head for hours - & if that's not a "hook", I don't know what is. His
hands & fingers are solid on the board, & the trio (Jorge Roeder's
acoustic & electric basses & Jorge Perez-Albela's drums & percussives) is right
with him all the way through. The music is more than just
"punctual", though... it has a sense of timelessness not always found in the
music composed by younger players these days... the listener won't be just
tappin' their toes, they will be enchanted; & that is especially true of the
title track! A really solid, forever kind of tune. The cut that is
nearest to the kind of jazz I "burgeoned" on, though, & my favorite one on the
album, is simply titled - "Theme". My only complaint is that the track was
too short. A truly versatile talent that jazz listeners are bound to hear
a lot more from! This gets our MOST HIGHLY RECOMMENDED rating.
Superb playing for hours of pleasurable listening. Find out more, or
purchase the album on his site, at
http://www.jarrettcherner.com/ Rotcod Zzaj
Theo Ross -
CUT THE CHORD:
Flutist (& superb vocalist) Theo Ross captures your attention on the very first
track, "Lovestruck"... absolutely beautiful & relaxing music that will give you
pleasure (just) from listening. Track 3, "Without You" comes (very) close
to the old "soul music" genre, with some definite "phunk" goin' on...
nice bass lines keep the groove going, but when his vocal chimes in (after
about a minute) you can feel the romance in the tune. The track that
really shines (for me), though, is the last cut, "Could Be"... string-wash intro
leads ever so gently to rhythm & flute (then bass) - in smooth jazz territory,
but with (more than) enough soul to keep it from getting tossed for being "that"
dreaded category. Some of the beauty in the tune was definitely stirred by
the Rhodes-sound floating down under. My only complaint about the CD is
that it's only got about 20 minutes of music on it... we hope Theo's next
recording will have far more for us to enjoy. He's got that spirit
that's so essential, and his light-hearted approach to playing will cheer you up
on even the bluest of days. We give this one a HIGHLY RECOMMENDED, & will
look forward to his next recording. To learn more about the artist, visit
his site, at www.theoross.com
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Indian
Blood - REBUKE:
Jeffrey Thomas Blanchard hasn't been in our pages before, but he should'a'
been! This boy KNOWS how ta' ROCK! A quote from the liners will
tell you quite a bit about his ideas/philosophy - "I don't despise or get
obsessed with new things, I just give it respect. I am asking the same of
you while observing the CD "Rebuke". The 14 songs on the album are all
(just) packed with high-energy, lyrical mystery and a clear mastery of
how to get the words to "fit" in the right places. I find myself wanting
to make comparisons, but as many thousands of reviews as I've written - I'm
unable to find anything in this dilapidated ol' braincase that is a "match".
Blanchard's musical style is totally & unequivocally his own... & we LIKE
that! If more rawk-ers played like this, people would get the
message... they would understand that life isn't (at all) a bowl of
cherries, & that the "real" folks out there have problems that have been 'round
for ages... basically, the callousness of those who "have stuff" already.
Jeffrey draws the listener in with a combination of masterful guitar-riffs,
strong bass lines & life-filled lyrical stories that will haunt you if
you listen down (just a little bit) "deeper" than you normally might. I'm
highly impressed! This one gets a MOST HIGHLY RECOMMENDED rating from us,
as well as the "PICK" of this issue for "best rock album of '07". GREAT
rockin' music! Learn more at
http://www.indianblood.net/ Rotcod Zzaj
Mark
Cloutier and Friends - MAKING THAT GUITAR TALK:
I've been listening to Mark on MIXPOSURE for 2 or 3 years now, & asked him to
send me a CD for our "reincarnation" issue (this one). He sent it out
right away... & it includes some of my (other) favorite players on MIX... Loren
Risker, Robert Grant & Pete Muzakmen, just to name a few! Mark's guitar
work is splendid, much of it in a "pure blues" mode... & if you love blues
guitar, yer' gonna' REALLY love his songs! There weren't any credits on
the album, other than player names (you can correct that on the next cover, eh,
Mark?), so I can't be sure who was playin' that grand ol' bluesy organ down
under th' wailing riffs.... suffice it to say that it will GRAB yer' heart &
make ya' FEEL 'dem azures, to be sure! There are 17 tracks on this, which
Mark thought might be a "little much" for one sitting... not at ALL... this is
perfect for slammin' in th' car player & trekkin' on down that phroggin' RO-ad,
especially cuts like track 2, "I'm Taking Off"... ya' don't know if it's a
SPACE-SHIP he's talkin' about, or leavin' his love, but ya' sure know he's
SCREAMIN' those good old blooz with th' strings. Another favorite track is
"Strolling"... walkin' blues, great stride bass lines, make ya' get on up &
DANCE those blues - just KICK-azz stuph! The electronics & keyboards on
"Smoothe" are just that.. mighty mellow, no doubt. If it's raw talent
yer' after, & you've got an hour or two to relax - DO it with this! My
only advice for the next 'round would be to put some credits on th' cover sheet,
& maybe get the track titles to show up on the CD itself. Well produced
otherwise, but it's th' ENERGY that counts (for me), & this one gets a MOST
HIGHLY RECOMMENDED from us! Send any more that you produce, brother!
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The Fred
Hess Band - IN THE GROTTO:
Dr. Hess has graced our pages before, in issue
#71. Our ears were
impressed on that album ("Crossed Paths"),
and they are astounded on this round! The players on "Grotto" (Fred
on tenor sax, Ron Miles on trumpet, John Gunther on flute & alto/tenor sax, Ken
Filiano on bass & Matt Wilson doing drums) are tightly meshed, but not "tight"
at all. The magical notes "flow", but there is plenty of emotion & musical
energy coming through in each of the (7) tracks... it's obvious that these folks
have played together for some time... (while) they may be reading charts, they
seem to (just) instinctively know where the next note/phrase is going to fall.
Very sophisticated & UN-caveman-like, this takes me back to numerous jazz haunts
(grottos around the world, ya' know...), where players and fans alike were in
to the music - to the exclusion of anything around them... just there for the
music, & the joy that tracks like "Hold On" (my favorite on the album) can
bring. Filiano's bowed bass, & the exploratory feel of the other
instruments on "Ninth House" epic (clocked in at 13:45) make it a close second.
The hardcore jazz fan, as well as the listener who is just being initiated, will
find something in each & every cut on "In The Grotto" they can enjoy. This
one is (clearly) a "keeper"... it gets a MOST HIGHLY RECOMMENDED from these ol'
ears... GET it, especially if you're a jazz collector. Learn more at
http://net.indra.com/~fhmusic
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Tom Furgas
- strings1.wrk.:
We have always enjoyed the original creative works we get from Tom (enough
so that we DID a recording, ANIMAL
CRACKER ODYSSEYS, with him a couple years back)... he
doesn't disappoint at all on this string-focused CD, and is a strong part of what makes
this 'zine so much fun to write. Using Cakewalk Music Creator, he crafts
some of the prettiest & most engaging works we have heard in some years.
Nothing "fancy" on the covers, as (with so many home-producers) all the energy
is placed on the music itself. I found myself engaged from the first bar,
all the way through the 8 tracks on the album, but it was cut 6 that I enjoyed
the most (probably because it has some deep bass-sounding lines running through
it). This one took (about) 2 full listens to grasp the intricacy of his
sonic visions - it's definitely advised that you use headphones, so you can
immerse yourself in the beauty he's portraying. As many in the underground
recording scene know, Tom is very prolific... varied styles, many nuances...
this is another flavor of strange, yet enjoyable. I give this outing a
HIGHLY RECOMMENDED, & challenge you to learn more about Tom Furgas by reading
the interview at
ANTOCULARIS, or our own, in issue
#74! (added
notes from Tom: the
disc is available for $9 postage paid (US) or $12 postage paid (everywhere
else), or is available in trade for any other artist's CD, to 1840 Paisley St
#3, Youngstown, OH 44511-1024) Rotcod
Zzaj
Alex
Kontorovich - DEEP MINOR:
Just so many things that make this fantastic CD unique, not least of
which is stunning work on banjo (Brandon Seabrook), in conjunction with
superb clarinet & alto sax by the leader, Alex
Kontorovich, beautiful bass by
Reuben Radding (who we had the great fortune of watching in live performance in
Philadelphia last year, & reviewed in issue
#64), & diligent drums
by Aaron Alexander (who has played on numerous albums here in our pages, & most
notably in issue #70).
The whole "tone" of the CD is different, to be sure, incorporating klezmer in
the mix. You will get the feel of jazz giants like Bird & Coltrane, but be
taken to new heights with their explorations into "new" zones of music
traditionally not thought of as "jazz". In their capable hands, you will
find pure joy exploding from their musical visions, & hours of listening
pleasure. Radding's bass on "New Orleans Funeral March" is completely
haunting on the long intro... then it is totally supportive as the other
instruments segue into long sequences that "honor" the giants who have passed
(there are moments where Seabrook's guitars make one think of Sonny Sharrock).
My favorite cut, though, is track #7, "AfroJewban Suite"... if you want to hear
what the "new" jazz, the jazz of "today" is - you've got to have this
CD... get more information about Alex on his site, at
http://alexkontorovich.com/index.html This CD is scheduled for release
on 18 September, so remember - you first read about it here! "Deep Minor"
conveys many moods and styles to the listener, so well that it (automatically)
gets our MOST HIGHLY RECOMMENDED rating. Rotcod Zzaj
Ronno Jaxon -
RONNO BLUES:
Crusin' th' netz' for new talent... lookin' under "blues", since that's how I
felt (at th' time)... there are times when you just know - this is "IT".
Well, this CD was (to be SURE) recognizable as havin' those ol' down &
dur-ty blooz! Especially trax like cut # 2, "Babygirl Blues" (one of my
fave cutz on th' album). Ronno's got a wicked touch on those git-ar
strings... knows how ta' make 'em piss & moan & wail... of course, with
this "reincarnation" issue comin' up, I want to make sure I've only got th'
BEST, so I dashed off an e-mail to Mr. Jaxon... not more than a few days later,
a big BOX full o' blues (& a bit o' rawk-in stuph, too) comes tumblin' out!
Since this was th' first one I heard on th' site, I pulled this out for review
first.... you'll get all of my reviews in later issues. He's even got a
track on here, trak 5, "Home", that reminds me somehow of th' fantastic tuneage
on th' Funkadelics "Hardcore Jollies"... it's interesting, too, 'coz it's
contrasted against a vocal that comes across as more "Delta" kind of stuff.
High talent here, & energy reigns supreme. We were highly impressed from
th' sample material we heard, & mighty happy Ronno shared his music with us... "Ronno
Blues" gets a HIGHLY RECOMMENDED, 'specially for those who understand
that a dose o' 'dem blues ev'ry once in a while is a required ingredient
in a well-lived life. Get more info on his site, at
http://rorarecords.com/rora/Rorarecords/index.htm or send an e-mail to
admin@rorarecords.com Some
FINE, fine blues here! Rotcod Zzaj
Judi Silvano -
WOMEN'S WORK:
Judi has graced our pages often (#67,
#68
& #69, as well as an
interview). Her
jazz vocals can only be described as svelte & smooth... what sets her
music apart from all those "other" singers, though, is th' earthquake-level
energy... if there were a musical "Richter scale", she'd come off at about a
"12"! This CD will reach right out & grab your heartstrings, but in such a
pleasant way that you'll keep comin' back for more, hour after hour, day after
day. The full range of emotions is explored here.. joy, sadness & a little
laid-back late-night blues... jazz fans everywhere will know, from the first
bar, that they've got to have this one! As you might expect from
th' title, her vocals are complimented by superb playing from Janice Friedman
(keyboards), Jennifer Vincent (bass) & Allison Miller (drums). It's
a live recording ("Sweet Rhythm Jazz Club, NYC), which helps to make it even
more enchanting... as you listen to this album, you'll see/hear Judi & friends
right there in your living room. We've always enjoyed Ms. Silvano's jazz
work, & have no doubt that you'll be a life-long fan from the first cut... so
much talent, so much energy - this one gets our MOST HIGHLY RECOMMENDED - some
of th' best vocal jazz we've heard this year! Get more information at her
site: http://www.judisilvano.com/
, or buy the album at CD BABY.
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Anthony Branker
& Ascent - SPIRIT SONGS:
It seems an awfully long time since I've been able to drink in compositions
like Anthony has assembled for your ears on this wonderful & enchanting jazz CD.
That would have something to do with my recent travels in Iraq, but that's
another story, too long to tell here. Additionally, it's very important to
me to touch everything I can, & taste all that's around me. "Spirit Songs"
is a perfect "re-entry" album, full of verve & strong inspiration, & that
applies most especially to the title track (which is my absolute favorite
"left-hand-rhythm piano track" in many years!. 'tis no wonder, with
reedists Antonio Hart & Ralph Bowen, trombone by Clifford Adams, Jr., keys by
Jonny King, bass by John Benitez & crisp/precise drumworks by Ralph Peterson,
Jr. Though more "lighthearted" than (let's say) the gritty spiritual works
of Pharaoh (Saunders), the heavy doses of soul & "connection" with other-worldly
beings are still fully vibrant, & will inspire any true jazz lover. "Sons
Of Sound" have produced (yet) another gem here, which gets a MOST HIGHLY
RECOMMENDED from these old jazzified ears. Contact/purchase at the label
site, at http://sonsofsound.com
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3Osity - 3OSITY:
When there's scorchin' Hammond to be heard, you'll know, after listening to this
fantastic trio, that Pat Bianchi had something to do with it... he's joined in
this trio by guitarist Dave Corbus & drummer Todd Reid. This thang just
KICKZ along, folks... we're talkin' sheer & total energy here, too, not
some namby-pamby wannabe! & that was just th' opener, their version of
Mcoy Tyner's "Inception". Pace slows down a tad (but is still infused
throughout with power) on Jimi's "Wind Cries Mary", but when they move on to
Jack McDuff's "Scufflin'", the total balance & exuberant joy they exude will
become clear as blue skies on a festival day. This is one of those CD's
that brings back the spirit of jazz... no copy-cattin' here, their
energies are honest & pure. One of the best albums I've heard in 2006, &
immediately rates a "MOST HIGHLY RECOMMENDED". I've no doubt that this
trio will be around for years to come - they've got the magick!
Contact or get more info from the label site, at
www.caprirecords.com
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Incandescent Sky
- PATHS AND ANGLES:
This is (quite simply) the BEST performance I've heard from these folks yet... &
I've heard several... we've reviewed them, quite favorably, in previous issues.
They call themselves "progressive texturalists", which fits the sense of musical
adventure they convey quite nicely. There are no "clichés" here, only
ideas that move to mountains & on into radiance... their own "Aurora Borealis",
if you will. I'm transported to purity as I sit here listening to
"Angles"... it just "swells"... full-bodied & enchanting all the way through.
If you love music that moves through the spheres, but without being
overbearing - this is your TICKET! My favorite track on the album (because
of it's (musical) "angles", I'd say), is the exit cut, "Trade Winds"... some
very pointed & moving architextures, to be sure. This gets a HIGHLY
RECOMMENDED from our ears. Get more information at
www.overflower.com or contact via
itstwilighttime@aol.com
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Antoinette
Montague - PRETTY BLUES:
This IS one "pretty" CD... Antoinette sings th' blooz with th' best of them, &
cuts no slack along the way. If you're a big fan of jazz with blues
leanings (& true, TRUE soul), you'll fall in love with her rich & gutsy blues
styling after just a couple of bars. Bill Easley's tenor sax (& his flute,
too) does some beautiful call/response work here... there's also some fine
keyboard by Mulgrew Miller, drums by Kenny Washington & deep-throated bass by
Peter Washington. The recording is crystal-clear, totally enjoyable
& Ms. Montague's unique tone & spirit will take you high into the blue skies!
From a jazz point of view, I just LOVED "Miss Celie's Blues (Sister)". If
you're looking for great jazz vocals with firm blues roots & heavy, heavy
soul, you'll want to sample Antoinette's "PRETTY BLUES". To get more
information about her, visit her site, at
http://antoinettemontague.com
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Ann Sweeten - A
PLACE IN THE SUN:
I recently returned from a "place in the sun" (Iraq), that holds none of
the beautiful reflections that Ann's fine keyboard artistry does for the
listener. Though it's classified (I suppose) in the "New Age" genre in the
store racks, her compositions & musical spirituality come shining through to
impart visions of peace and comfort that the world sorely needs right at this
miserable time in it's history. The orchestrals will take you to a higher
spiritual plane than you've been on lately, & she wraps you, ever so subtly, in
her ability & maturity. This is the second time we've reviewed her
wonderful works, & we're certain it won't be the last. For those who love
inspiring music played with the listener's well-being in mind, this gets our
MOST HIGHLY RECOMMENDED rating. Highly impressive, & bound to become a
classic. For more information about Ann, visit her page(s) at
http://annsweeten.com
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The Joe Gilman
Trio - VIEW SO TENDER - WONDER REVISITED:
Mr. Gilman's jazzified tribute to Stevie Wonder's fantastic music is well
received by these ears, to be sure... a rousing intro with "I Wish", with stride
lines (both Joe's keyboards & Joe Sanders' bass) galore & superbly crafted
rhythms by Justin Brown, will wake you right up & put you on top of the world!
Yes, these ARE tunes you've heard before, but this trio brings new (jazz) life
to them, with both skill & a clear sense of love for the music.
"Sir Duke" is my favorite track on the album, showing their versatility &
cohesiveness as a unit... nothing "stodgy", pure soul to transport you to the
same realms the original(s) did... as I sat here listening, I couldn't believe
how sweet life can be, & it was th' moods they were creating with their
interpretations of Wonder's wondrous music(s) that made it happen. This
one gets a clearly deserved HIGHLY RECOMMENDED from my ears, & I know you jazz
fans will want (even need) this fine lil' CD in your collection.
Get more information at
http://www.caprirecords.com/catalog/74076.htm
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Nest - LAST DAY, FIRST DAY: What a taste of "odd" for a Sunday morning... Eric sent this CD from Portland, Oregon, while I was in the desert... looks like it was in May, this year. The music on here will be a bit of a challenge for some, though others will grok it right away - one name I recognize immediately in the group that put this together, of course, is our old pal C. Goff III, so that explains a lot of the "strange" elements hereon. Lots of vox-overs, tastes of industrial machine noises, & a prevailing sense of "the experiment" that the whole "home taper" thing started off with, oh-so-many years ago! "NEST" have a real sense of how to use "pauses" to enhance the sonic experience, & I found this very, VERY enjoyable as "new"... something I hadn't heard before that challenged me to actually "listen" to what they were doing. Eric described it as a "Studio project"... no liner notes, so no idea if that means "pro studio", or "home studio"... either way, it sounds just fine throughout. This is not for the "faint-hearted", or for listeners who want "only standard"... it IS a challenge to listen through - but, of course, that's why Eric sent it to US for review... we WANT music that challenges the listener & spurs them on to new heights... & in that sense, this gets our MOST HIGHLY RECOMMENDED rating! For more information. e-mail Eric at ericmatchett@gmail.com Rotcod Zzaj
Richie Hart -
GREASY STREET:
If it's FUNK yer' lookin' for, look no further... th' CD title just about tells
ya' what this will be all about... down-home greas-i-fied fare, with
Richie's guitars doin' lead(s) all over some great keyboards (by Pete Levin),
Hammond organ (by Dr. Lonnie Smith), & all nicely complimented by some superb
basslines (Rick Petrone), drums by Joe Corsello, sax by Jerry Weldon & trombone
by Clifton Anderson. There are wonderful moments to remember players like
Bro. Jack McDuff through this group's energy-filled renditions of tunes by
legends like Coltrane, Ron Carter & even Jimmy Smith. This isn't just
pleasant to the ear kinda' stuff, it's "uptown" in every sense of the word
sophistication. Jazz fans everywhere will want this in their CD wallets,
so they can listen to it as they tool 'round & 'round th' world-space.
This gets our HIGHLY RECOMMENDED rating for any & all who love smooth-sailin'
jazz with more than just "smooth" to speak for it. A simply GREAT album.
Find out more at www.zohomusic.com
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The Jon
Hemmersam/Dom Minasi Quartet -
THE
JON HEMMERSAM/DOM MINASI QUARTET:
We hadn't listened to Jon (electric & Spanish guitars) before, but we did review
Dom (Electric & 12-string acoustic) in
#76 - which made it
obvious that th' jazz would be raw energy & joy! They're joined by Ken
Filiano (double-bass) & Kresten Osgood (drums), & what an outing it is.
My favorite track is "Inside Out", which gives space for each (highly talented)
player to "show it off" to the maximum... intense without being overpowering,
yet fully in roots-jazz mode, the track is the epitome of what jazz expression
is all about! There is also the first cut on the album, "Sprint", which
just about gives it away... these folks are moving (at the speed of
light) all through the track, & their energy is infectious... if you can't
"catch their groove" on this piece, you're catatonic. Though this is a
"studio" recording, it sounds amazingly like a "live" shot... th' kind of jazz
that will "stick to your ribs", & stay with you for th' long term. This
one is scheduled to be released on September 1st, 2007, so rush right on over to
one of these sites to order your copy now -
www.cdbaby.com or www.domminasi.com
Fantastic jazz that gets a MOST HIGHLY RECOMMENDED rating from us!
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Golda Solomon -
WORD RIFFS:
There is only one word to describe Golda's superb word-work on this CD -
"jazzified"! The opener (also th' title trak) takes me back to smoky-blue
dens of iniquity (& other great things) & remembrances of all those players I
grew up (Ra, Monk & 'Trane) & will surely go to rest with. It's only
(about) 4 minutes long, but is like a gallery tour of spoken paintings that does
great honor to all the greats, & will "smoke out" all those who only "pretend to
understand" the muse & marriage it (naturally) has with word-artistry.
Quoting lines is like giving away secrets (methinks), but "winos holding
pint-sized brown bags" just about tells you th' story. We've been
impressed with Golda's poetry for a long time now (all th' way from "Po'
Jazz" to her POETRY)...
& I've no doubt that you will know whereof she speaks (even if you've not been
initiated into the beauty of poetry joined with find jazz... the players were:
Golda - words; Christopher Dean Sullivan - bass; Michael T.A. Thompson -
soundrhythium; Eri Yamamoto - piano & Saco Yasuma - alto saxophone)... YOU, too, will be
"jazzified" - & then, you'll surely agree with my assessment... this CD gets our
MOST HIGHLY RECOMMENDED rating, as well as the "PICK" of this issue for "best
spoken-word/jazz album for 2007". Get more information at
http://www.jazzjaunts.com/
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David Gallegos -
MIS RECUERDOS:
Soft/gentle are the words that reverberate through my head on listening to the
opening track "Lagrimas del Cielo" (Tears of the Sky)... David's guitar is pure,
simple & masterful. That would track, since he said that this was "a very
emotional year"... if I were able to lay my feelings out this clearly, there
would be so many problems that would just disappear! It would have
been nice to have the credits a little clearer on the CD jacket... there is some
beautiful synth work supporting his guitars, as well as the singer on "Falling",
& (unless I missed it), I didn't see anything that would tell me who helped him
out. (Feedback direct from David: "to answer a question you had
on there... I did all the keyboard tracks... everything was programmed; aside
from all the guitar tracks, I did all the percussion and keyboard programming...
and had 2 other friends (Angel Flores & Michell Loose) do bass and vocals... ed.)... That's a minor criticism, however, because it is always the
passion and energy for the music that count for us... & on "Una Vida
Triste", "A Sad Life", we can hear (& visualize) every person who has ever
suffered tragedy and sorrow. I am highly impressed (& it takes a bit to do
that these days, especially with guitar artists, since I've heard so many of
them through these many years)... Gallegos communicates his memories so that
they (almost instantly) become ours to relive & discover. I give this
album a MOST HIGHLY RECOMMENDED for any listener who needs a bit more lovely in
their life. Get more information at
www.davidgallegos.com, or contact him directly at
guitarist@davidgallegos.com
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Double Duo -
CROSSWORD PUZZLE:
"Intricate" comes to mind when listening to the introduction to "A Butterfly,
Bee, Mantis and Grasshopper"... as with any CD featuring Natsuki Tamura
(trumpet) & Satoko Fujii (piano)! We've reviewed a lot of their
releases, & from the standpoint of creative artistry, this one is among the
best. The album (& group) title comes from the fact that Tamura is joined
by Angelo Verploegen (trumpet) & Fujii joins forces with Misha Mengelberg
(piano)... having done a few "bug oriented" compositions myself, I can
immediately hear & feel the detail, as will any listener worth their salt.
It's a very "slow build"... "Butterfly" runs a total of 33:38, so they have
plenty of time to poke their antennae 'round & ensure every little sound
gets explored. The "frenzy" occurs about 10 minutes in, & will have those
listeners who thrive on exploration & nuance thrilled beyond belief. If
your habits don't include discovery of the new in the musical realm, you
probably won't be as excited as I was about it, but you'll surely understand
more about improvised playing. I give this one a MOST HIGHLY RECOMMENDED,
& would encourage novices to puzzle through this until they can "fill in the
blanks". GREAT album, volkz! Get more information at
http://www2s.biglobe.ne.jp/~Libra
or e-mail them at natsat@mac.com
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C. Goff III -
PINK WOODEN BODIES:
I've little doubt that the (real) reason Mr. Goff sent this particular CD to me
for review is that he uses a (pink, natch) Mahalo Ukelele, as well as a (pink)
Mattel Barbie violin to create soundscapes for his somewhat rather rabid
vocalizations... ha! ha! What better sounds to write a review for.. I mean
I can almost see the original natives of these islands cringing in
their burial grounds as they scope out "Deep In The Cake", or "Lulled On The
Shores of Atmosphere" - I mean, the waves are there - RIGHT IN
yer' earlobes! Th' rhythmic contrasts on track 7, "Pisces in Peril" will
make you realize how close this world is to disaster. It's been a long
time since we've had the pleasure of reviewing the absolute & enchanting "odd-istry"
that Charles is so fully capable of, & "Pink Wooden Bodies" will upset more
applecarts than did Johnny (Appleseed). Get (far more) information (than
you may need) at C. Goff's "Taped
Rugs Productions" catalog - or e-mail him at
padukem@sbcglobal.net This
outing earns him a HIGHLY RECOMMENDED from our ears! Rotcod
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Soulfood -
spaSCAPES:
DJ Free (Native flutes, & soundscapes) is the perpetrator of some wonderfully
soothing sounds for your spirit here... he's joined by Richard Hardy on reeds
and Peter Schimke on Grand piano & synths. Reviewers (in my estimation)
often tend to "overlook" music that doesn't (necessarily) "fit" into a neat
little genre package... I've even been known to push such recordings to the rear
of the review bin until I've gotten those more easily classified done (on
occasion). That would surely be an error in the case of this superb CD...
everything (& I mean every sound) flows gracefully & gently through your
ears & down inside of you to put you in total relaxation mode. If you're
in need of some healing moments (actually, over an hour's worth of beauty), this
is your ticket to bliss. We have been reviewing "Soulfood" releases since
(at least) issue #56), &
they have always been great - but this one rates our MOST HIGHLY RECOMMENDED
rating. While it's not "strictly jazz", the energy & artistry
required to produce it display high talent & true love for the power of music to
bring peace. GET this one! More information is available at
www.soulfoodmusic.com via e-mail to
info@soulfoodmusic.com or at
SOULFOOD Music & Media, POB 902, Chanhassen, MN 55317 Rotcod Zzaj
Motown Moe -
MOTOWN MOE:
This neat little home-produced CD hearkens back to our roots, to be sure... th'
daze of home-recorded tapes pouring in through the mail slot, hiss & all.
For those who haven't "kept up" with the trends, those who make their own music
these days are able to produce far better quality than any of those (old) tapes.
"Moe" (Kevin) has put together a nice little collage of his work, with varied
styles & (musical) shapes to display his talent - & significant talent is
evident. You might be misled by his stage name... this isn't all just
rehash of ol' "MOTOWN phunkiness"... it does have plenty of soul, but that's
counterbalanced with what is clearly a (true) love for the music, & a
good understanding of how much rhythmic undercurrent can influence the emotions
of a listener. Recommendations for Moe? Try making an insert sheet
(with track titles, credits, etc.) on your next venture... also, maybe use a
program like "AudioGrabber" to
embed the titles right into the CD (...since I wrote the original review, Moe
"went the extra mile", & sent me a "final" copy of the CD, with a nicely done
jacket, CD label, etc. - looks much better)! No big deal,
anyway... the key
to our reviewing is whether the energy is present - & it surely IS on
Moe's CD. This one gets a HIGHLY RECOMMENDED from us. Get more
information on his site, at
http://www.isound.com/motown_moe Rotcod Zzaj
Dan Fogel - 15
WEST:
Every once in a while, a packet o' pure pleasure rolls thru th' mail
slot to awaken our spirit to ever-new possibilities. Jazz organ music is
often only an imitation of great players like Jimmy (Smith, or McGriff, take
yer' pick), or Groove Holmes... we can tell you, Mr. Fogel has th' soul
quotient required to make you recognize his masterful touch & (true) style!
Distinctive feel & a love of th' funkiness inherent in great jazz organ; the
only drawback (if there was one) is that we would have loved it if there were
double th' 9 tracks - because this kind of jazz is timeless.... ebullient & full
of the drama of a life lived (& played) well! Dan's joined by O'Donel Levy
(guitar), Pete Chavez (tenor sax) & Webb Thomas (drums), who all contribute
strongly to making this one of the most memorable jazz albums we've heard in
years. Though I (too) love playing organ & Rhodes sounds, I can't come
(anywhere) close to his high-energy style! "15 WEST" will inspire you &
provide you with hour upon hour of memorable music... we not only give it our
MOST HIGHLY RECOMMENDED rating, we also declare Dan Fogel the "PICK" of this
issue for "best jazz organ". GET this one. More information is
available at www.danfogel.org
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Alex
Rosselli - 2012:
On this CD, I go back many, many years to early rock odysseys... groups like
YES... strong, STRONG guitar fantasy tales from Alex that will take you on a
trip like you've never been on before. His playing isn't (quite) as
psychedelically oriented as those old groups... more on a 21st Century level,
where he actually puts you "in touch" with all those things that have been
bubbling down in your cauldron. It's pure guitar, interpreting
sounds around you, turning lifetime experiences into guitar wall-of-sound
artistry that will astound your ears. I'd advise against trying to listen
to this all at one sitting... take the first 3 cuts (that's 20 minutes worth),
then go off & absorb them over a mug of cappuccino... then come back for the
next round. After you've absorbed it all, it's time to put it in yer' car
player & RAWK on DOW-un thee road! I'm highly impressed, as I was when I
first caught Mr. Rosselli on the web & requested this CD for review. This
CD is an experience... not just "another rock guitar album, & it gets a
HIGHLY RECOMMENDED from these adventurous ears! Get more info at
http://cdbaby.com/cd/alexrosselli5
or e-mail Alex at alexrosx@yahoo.it
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Purple Gums -
MO' BETTA BUTTA:
The most recent review we did of Mr. Roper's work was in
#71 - we've always
gotten a big kick out of his tuba jazz... &, it's not just the fact that
he's playing totally qualified jazz with th' tuba... there's an element
of "craziness" that runs across every Roper release I've ever heard... it's like
no jazz you've ever heard... raw, purely original, & loaded with spontaneous
fun! The other players we hadn't listened to before are on this outing
as well... Bobby Bradford (cornet, percussion, vocals... he's worked with
Ornette & John Carter & plenty of others of equal stature) and Francis Wong
(soprano sax, tenor sax, erhu, percussion & vocals). The keyword for this
whole experience is fresh, & funny! The spoken word on the
title trak will just crack you up! Th' diatribe on which is better
(butter or oleo) is "in the zone"... like, "out there", volkz! A first
(fo' us, anyway) is the kewl bluesy number, with a vocal, on cut 5 "The City"
(which is based (musically) on Charles Mingus' "Nostalgia In Times Square").
If you've exhausted your "smoove jazz" quotient, & are ready for some truly
enjoyable jazz - GET THIS ONE! We give it our MOST HIGHLY RECOMMENDED, &
declare it to be our "PICK" of this issue for "most original & creative jazz"
we've heard this year. Contact William at
kyanite@pacbell.net or visit his site
at http://home.pacbell.net/kyanite
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Chris
Pugh/Jack Gold - PENUMBRA/HEQAT:
One never quite knows what will be encountered on a release from Jack's
"SolDisk" label... I mean, you know that it will be jazz, & you know that
it will often be free-form, but what the "format" will be is usually a
mystery. The guitar by Mr. Pugh is excellent "out" guitar, just sorta'
"taking off" in his own direction, backed by Jack's drums & percussives on the
opening section of "Penumbra", titled "Detritus"... I'm reminded, in a great
many ways, of open-ended jam sessions we used to do in a coffee-house ("Gnu
Deli") in Olympia, with a guitarist named Bob Cerelli... cosmic jazz that never
stopped! Much like a journey through a guitar-fueled galaxy that had listeners
on the edge of their seats, careening through near-disasters with shadowed
asteroids and (other) planetary bodies. This music will certainly never be
relegated to the "muzak" bins; it is both challenging to listen to, and
satisfying (for the adventurous listener, anyway)... if you can't make musical
leaps & bounds, you'll probably find this beyond your capacity to comprehend.
An abrupt shift occurs on "Talus", the second performance... murky, down-under
interplay between Chris & Jack... much more subdued, yet equally as intriguing
(to the enlightened listener). Last track, "Heqat", brings to life all the
pyramid-inspired images it's title implies... a different set of players here...
Chris's composition is performed by "Trio Recherche" - Melise Mellinger on
violin, Barbara Maurer on viola & Lucas Fels on cello. My favorite piece
on the album is the opener, "Detritus", though, due to the high energy quotient!
You won't find a more challenging release anytime soon - my jaded ears give it a
MOST HIGHLY RECOMMENDED for those who are looking for something "new" in jazz!
Visit the site at www.soldisk.com or
contact direct via jack@soldisk.com
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Sharp
Practise - RADIOCITY:
This CD is in a musical style I seldom listen to any longer... strong,
simple rhythmic R&R, with strong guitar lines & great lyrics... it came to us
from Nigel Clothier, in UK, after some internet solicitations I made for new
material. This kind of music will go far on the radio/charts, no doubt...
clean hooks, well-played & full of great energy... those who fall in love with
this won't be the "regular" crowd here at "I.N.", as it's not "out" there.
In fact, I (& many of my generation) grew up on this kind of guitar/synth-centric
rockin' (whether we admit it or not) - & it's great road music! You
put this in th' CD player in NYC (or Philly, for that matter), & cruise on down
Route 66, hittin' a few gas stops along th' way - you know, that kind of
adventure. It's clear from listening that "Sharp Practise" enjoy
what they're doing, & it won't take but a couple of trax for them to lure you
in, too! This one gets a HIGHLY RECOMMENDED for lovers of music for fun!
Get more info on their site, at
www.sharppractise.com Rotcod Zzaj
Ellen
Honert - BREATH OF THE SOUL:
You know th' joke about th' DJ - "do I look like I sound"? Almost
never... well, listening to Ellen (after seeing her on the CD jacket) puts that
in reverse... you'd never expect the rich, soulful & most adventuresome
vocals she projects from just lookin' at th' picture. Her album is most
aptly titled, to be sure... I've listened to a lot of very strong female jazz
vocalists over the years, & hearing Ms. Honert breathes new breath into the core
of my soul! ALL the songs are keepers, tunes that you'll treasure for
years to come, for both the intricacy of the backing compositions, & the care
taken with the vocal recordings. My favorite track on the album is #2,
"Life Is What You Make It"... the call/response vocal she does here will make
you "feel" your life, no matter how far "down" you may be. This is our
first listen to her highly creative work, & she's an IMMEDIATE favorite... 'coz
her energy is just so clean... almost like fire burning! Ellen's
album is among the best I've heard this year, & she gets our MOST HIGHLY
RECOMMENDED, as well as the "PICK" of this issue for "best female jazz
vocalist". You will love her music! Get more info on the site at
www.honertmusic.com Rotcod
Zzaj
Annea
Lockwood - THOUSAND
YEAR DREAMING/FLOATING WORLD:
You have not heard music like this before (unless you lived in the
Pleistocene age, perhaps); conch shells combine with didg, oboes & other reeds
to form a journey into a place uninhabited by corporate executives & flim-flam
politicos. I can easily picture myself on the edge of an ocean, looking
back over high ridges & "dreaming" of gigantic creatures moving towards me... &
you'll be able to see whatever is in your subconscious as well. This is
not, however, the kind of music you pop in th' player & dance to... you must
allow yourself to become immersed in the musicians' world... to ride the
gentle currents of their reeds into something "new"... something "strange"...
something "different". & that isn't a "bad thing"... if you can get to
that stage of relaxation (with them), you'll find it very rewarding, & a
(musical) poetic adventure of it's own. I enjoyed this trek immensely, &
so will any listener with a thirst for abnormal. This round gets a HIGHLY
RECOMMENDED from these experimental ears. Get more information & purchase
the album at
www.pogus.com/21045.html Rotcod Zzaj
Patrick Flynn - GOOD NEWS: Musically, there's nothin' better (to me) than good old down-to-earth blues... maybe a touch o' twang to go with it, but especially great when you can feel th' pain that inspired th' tune! Though this is our first listen, we could tell on th' first 8 bars of th' title track that Mr. Flynn got th' soul & spirit it takes to lift yours right on up out of those holes we (all) find ourselves in sometimes... this is an original player who has lived what he's singin'! You'll hear shades of Catfish Hodge in some of th' tracks, maybe, & even a slice or two of Paul Butterfield's upbeat energy ("Money Don't Matter"). Patrick is a music producer, as well as a player, & that comes through clearly in the recording... everything is evenly balanced... this is a recording that stands out for the sound, as well as for the musical energy! As I listen on through (track 5 now, "Take The Spirit and Run"), that organ (pretty jazzy, by the way) makes me realize just how versatile this fellow is... KICKIN', people! We want to hear more of Flynn's work, so promoters, send it on IN! This is the most well-crafted soul/blues/jazz album I've listened to (yet) this year... it gets our MOST HIGHLY RECOMMENDED rating! If you love blues, you'll have to get this one in your collection; get more information at Patrick's label site - www.silveradomusic.com Rotcod Zzaj
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